The world
The World is a vivid acrylic on canvas, measuring 30 by 48 inches, that radiates both intensity and introspection. At its core is a powerful portrait of Jimi Hendrix—an icon whose music and message transcended borders and generations. Said captures Hendrix not just as a musician, but as a symbol of emotional depth, cultural revolution, and spiritual yearning.
The painting’s swirling background—alive with blues, reds, oranges, and purples—echoes the psychedelic energy of Hendrix’s sound. These abstract elements seem to pulse with rhythm, enveloping the figure in a storm of creativity and chaos. Hendrix’s hair, rendered in bold, expressive strokes, blends seamlessly into this vibrant atmosphere, suggesting a fusion between the man and the music, the self and the cosmos.
At the bottom of the canvas, the quote “When the power of love overcomes the love of power the world will know peace” anchors the piece with philosophical weight. It’s not just a tribute—it’s a challenge. Said uses Hendrix’s legacy to reflect on the state of humanity, urging viewers to consider the transformative potential of compassion over control.
Through acrylic’s versatility, Said achieves both texture and luminosity, allowing the painting to feel immediate and timeless. The World is not merely a portrait—it’s a meditation on influence, resistance, and the enduring hope for peace.
The painting’s swirling background—alive with blues, reds, oranges, and purples—echoes the psychedelic energy of Hendrix’s sound. These abstract elements seem to pulse with rhythm, enveloping the figure in a storm of creativity and chaos. Hendrix’s hair, rendered in bold, expressive strokes, blends seamlessly into this vibrant atmosphere, suggesting a fusion between the man and the music, the self and the cosmos.
At the bottom of the canvas, the quote “When the power of love overcomes the love of power the world will know peace” anchors the piece with philosophical weight. It’s not just a tribute—it’s a challenge. Said uses Hendrix’s legacy to reflect on the state of humanity, urging viewers to consider the transformative potential of compassion over control.
Through acrylic’s versatility, Said achieves both texture and luminosity, allowing the painting to feel immediate and timeless. The World is not merely a portrait—it’s a meditation on influence, resistance, and the enduring hope for peace.